dreamy greek delights

After the annual international dream conference of the IASD, held in the Netherlands this year, I visited Greece. Greece has been on my bucket list for over a decade. Finally, I made it! With only five days to spare, I stuck to the North East area of the country, exploring the city of Thessaloniki and Halkidiki peninsula. Time in the sea was, of course, a must. I also  wanted to see with my own eyes evidence of a long lost dream culture.

e0329c47-1757-43f0-a42a-cf5d6894bf48I spent time speaking with young Greeks, and even a few older ones. As I walked through downtown Thessaloniki, not for from Aristotle Square by the sea, I walk past 4th century monuments and wait…what?… yes, vendors selling Native American dreamcatchers. What a surprise! Young, contemporary Greeks call these oneiropagida yet they do not have a similar object from their own, forgotten, ancient dream-focused culture. Evidence for this lost culture is mostly found in museums nowadays, especially within the boundaries of my recent trip. One man, who is in his 20s, shared two opposing views of today’s Greek people. Dreams either mean little-to-nothing, he told me, or dreams must be interpreted, as they hold significance for some. For the latter group, oneirokritis or dream dictionaries, however, are popular. He considered those who use dream interpretation to be “superstitious,” yet as we spoke further, I understood that this term was not necessarily negative. The 21 year-old woman who was selling dreamcatchers, among other objects and souveniers, told me that for her and her friends, dreams were not meaningful. She said that her mother, however, carries a belief that night dreams are worth paying attention to and may lead to an action if they seemed meaningful. This isn’t a daily practice though, as some dreams hold more weight than other dreams.

A middle-aged cab driver from a small mountain town told me that contemporary Greeks today look at the old God/Goddess culture as “fairytales.” That old mythology is not a part of our contemporary belief system whatsoever, he conveyed. With regard to dreams, he said that this is also mostly ignored, yet for some Greeks, “powerful dreams” are given more attention. Those vivid, or easily recalled, types of dreams may need interpretation. The dream may be placed in one of two categories: good or bad. Dreams are judged, polarized, it seems. An example of a good dream may involve flying, he said, while a dream of a snake may be viewed as bad. I commented on how serpents were held in high regard, in the past, for their healing and transformative qualities. He agreed, but said “times have changed.” He attributed this shift in perspective to religious changes, particularly the rise of Christianity.

Thessaloniki’s archeological museum staff provided stimulating discussion regarding the Greek history of dreaming. Two women working in the museum shop shared some img_4201information about the healing nature of snakes as we looked at a marble relief being sold there, which features Asclepius. A fourth century BCE relief depicts three stages of healing of a patient by the god Asclepius with two apotropaic eyes above. The healing ritual shown here appears to depict Asclepius giving injections and using snake venom as a healing substance. Some believe that Asclepius could transform into a healing serpent himself. The original can be found in the sanctuary of Amphiaraos at Oropos (Attica). Apotropaic magic refers to the power to avert evil or harmful influences, bad luck, misfortune, or the evil eye. Its popularity is evident, even today, by the vast number of apotropaic amulets sold worldwide. Other copies of votive offerings to Asclepius also feature the serpent. Snakes can be found in numerous pieces img_4203of jewelry (bracelets and earrings in particular) worn by the ancient Greek/Macedonian peoples. We discussed how the serpent, or snake, was considered a strong healing, transformative force historically, yet with the arrival of Christianity, this all changed. From then on, snakes were primarily associated with women and evil, or the devil, thus connecting the two. This myth continues to hold strong today. Then, she asked for me to help her understand a puzzling dream of her own. I say that I’m honored to listen, but cannot interpret another’s dream, as I am not the author of it. She agrees that dreams belong to the dreamer, and continues. We play the game, “If it were my dream,” and have an enlightening discussion. She smiles as her eyes widen, img_4202expressing thanks for my view on this dream, as if it were my own, revealing a positive resolution in the end. Dreams belong to the dreamer, yes, and isn’t it wonderful to have those that will listen and take them seriously. For these exchanges offer fresh insights and perspectives. I was delighted over my time spent in the museum and with it’s employees – they had much to say about Asclepius and healing, while the others I spoke with knew little, or nothing at all of that part of local ancient history.

My time in Greece will continue…hopefully within a year or two. Athens and the oracles and sanctuaries of the area are at the top of my list. Have you traveled to the ancient Greek regions where healing and dreaming were once so common? If so, tell us about it. Comments and discussion here are always welcome.

Happy Summer,

Kim

my IASD conference experience

Last week, I returned from the 35th annual conference of the IASD, that is, the International Association for the Study of Dreams, which was held in Arizona this year. img_1928IASD conferences hold a special place in my heart, not only for the cutting-edge workshops and research presentations (such as Dr. Krippner’s shown here), but also for the soulful attendees as well. To spend 5 days with a large group of professionals, who hold such love for dreams and dreaming, is precious indeed. The interdisciplinary inclusion really makes these events special. Discussing dream research and holding space for dreamwork processes with so many psychologists, anthropologists, students, physicians, authors, psychiatrists, artists, psychotherapists and other healers is a true learning experience. It was img_1918also exciting to deliver a workshop and share my recently published book, Extraordinary Dreams, with people from all over the world – those I only get to see once a year. And while I have been attending IASD conferences since 2012, this year I became a Board member. There will be much to learn in this new position.

Something I habitually do before departing for an IASD conference is to chose a recent ‘big’ dream that I will focus on or work with during dreamwork process workshops. One year, for example, I chose a memorable tornado dream, and this year, I chose my most recent, which has turned out to be the most potent, mountain lion dream. While I gain a great deal of intellectual stimulation from the research presentations, it is the dreamwork sessions that leave me relating to my ‘big’ dreams much more deeply than before I arrived. They help me to keep the evolving relationship with the dream characters alive and come to deeper levels of meaning.

Many art-centered dream workshops I have attended, and loved, include two dimensional creations, such as, creative writing, drawing, painting, collage. This year, there was one workshop I attended that incorporated a three dimensional quality. The workshop leader brought 3-D pieces (woodscraps, beads, pipecleaners, sticks, tissue paper), and with these, the attendees were asked to create the dream or reflect dream characters three-dimensionally. This made a real difference for me because I could show others aspects of my mountain lion dream in ways that were difficult two-dimensionally. What’s more, I could move the pieces around when needed. This allowed me to ‘communicate’ in ways I had not been able to before and helped me to understand the greater ‘constellation’ of the dream in a new way.

Sometimes, we may not be able to find the time to create 3-D objects of all dream characters from scratch, but we may be able to use other 3-D objects already at hand, such as children’s toys lying around the house (or the therapy office for those of us that work with children). Small dolls, stuffed animals, Lego figurines, etc. can take the place of hand-made objects. This can be beneficial to the dreamer, who may not have access to other means of exploring dreams in 3-D space, such as in group work. In groups, each member can play the roll of a dream character for the dreamer. That, too, is a luxury, because dream groups are not held in every city, every week or month, let allow ones with a Gestalt orientation. Without willing participant bodies consistently available or personalized hand-made dream representations, easily available objects could suffice. Do any of you relate to your dreams in this way? I’m glad I had the opportunity to try it out because it left a strong impression.

In addition to workshops, other creative activities abound at IASD conferences. There is img_2033a dream telepathy contest modeled off of New York’s Maimonides Medical Center telepathy experiments from decades ago under Dr. Ullman and Dr. Krippner (here I am with Maureen, “the sender” for this years contest), a dream art exhibition featuring fine art in various media from artists worldwide, and on the final evening, a dream ball where attendees dress in a costume from a dream and are invited to share the dream if desired. If you missed us this year, you can find us –and the fun- next year. IASD’s 2019 conference will be held in Kerkrade, Netherlands. For more information, go to www.asdreams.org

 

Hope to see you there,

Kim

do you have a lucid mindset?

More and more people are becoming familiar with the concept of lucid dreaming, or dreaming while knowing that you are dreaming. Would you like to learn how to experience this wonderfully amazing state? For starters, there are some basics to understand as you dive in. This month’s article will feature Dr. Clare Johnson’s “golden tools” for a lucid mindset, particularly, the first of her three golden tools: Intent.

Now before taking a good look at our intention for dreaming consciously, it is necessary to note the importance of using a dream journal. Logging dreams as a daily practice builds our relationship with them. By doing so, we are essentially telling ourselves how important our dreams are and that they are worthy of our attention and our time. Some people use a basic notepad, but I like to use journals that are special and more decorative or unique from the everyday notebooks that I use to jot down ideas or thoughts. This spring, I met Al Martínez of Da-Vínch Studios in Grass Valley, California. img_1823I was amazed by his craftsmanship, and the time he dedicated to making one-of-a-kind handmade books and journals. I thought, “Now this is a real dream journal – one to hold my most meaningful lucid dreams.” Here is Al in the construction process.

Once we are well on our way to recording our dreams, no matter how vague, short, or mundane, we can trust that more will come. Once we make this habitual, it’s a fine time to seriously consider our intention – Dr. Johnson’s first golden tool. She notes that setting a basic intention such as, “I want to have a lucid dream” is too broad, too empty. Instead, get specific and bring the intention alive by feeling excitement and liveliness for the journey you are embarking on. Furthermore, investigate the specific action you want to take in the lucid dream. Spend time thinking about this action as you go about your day. For example, I decided that I wanted to visit Egypt’s Giza Plateau the next time I became lucid in a dream. And how would I do this? By lucidly flying in my dream body, of course! During my waking hours, in preparation, I spent time looking at colorful photos of the pyramids and wondered what it would be like to fly across the country and the sea. Would I be able to control my speed? Would I be able to see the ground and sea below? (In one particularly memorable experience, I found that, yes, I was able to do these things in my lucid dream excursion to the Giza Plateau, and it was truly amazing).

Before going to sleep, lie quietly and imagine successfully experiencing your chosen action. This sets a strong intention, and the likelihood of recalling your plan in the dream state will be higher. Dr. Johnson reminds us that sometimes we prefer not to change the lucid dream, instead going along with whatever unfolds. If this is the case, as we lie down, we can imagine how awesome it would be to explore the lucid dream space, consciously taking in the details. Do not underestimate the practice of visualization. It really does support conscious dream experiences.

Another way of setting intent is to draw a picture or make a collage of your intended lucid dream action, according to Dr. Johnson. I have yet to do this, but plan to start adding this creative element to my repertoire, as it sounds powerfully effective. What a way to engage willpower, curiosity and enthusiasm!

Finally, we can elicit assistance from our dreaming mind. Offer gratitude for a fulfilling lucid dream, or “strike a deal,” as Dr. Johnson suggests. For example, ask your dreaming mind to help you become lucid in exchange for keeping a consistent dream journaling practice. You may begin noticing lucidity cues. Dr. Johnson began making mixed media collages to enhance her dream imagery, only later to notice that the collages began to turn up in her dreams as a cue to become lucid. She shares other striking examples, so, I suggest taking a look at her book to discover them.

I hope this has inspired you to set an intention for your dream life, as we may spend anywhere between 45-60 hours a week sleeping. Dreaming lucidly, consciously, can change not just the way we experience sleep, but the way we experience the waking state, our day-to day existence. Truly, it can change our lives.

Wishing you restful sleep and peaceful dreams,

Kim

*Find Dr. Clare Johnson’s second and third ‘golden tools for a lucid mindset’ in her book Llewellyn’s Complete Book of Lucid Dreaming: A Comprehensive Guide to Promote Creativity, Overcome Sleep Disturbances & Enhance Health and Wellness.

*To reach Al Martínez of Da-Vínch Studios directly (and see photos of his gorgeous hand-crafted journals), email him at davinchstudios@gmail.com

to befriend one’s armor

Armor. It’s not a word I often hear, so I was a little surprised to dream of such a concept. Armor can be thought of as a protective layer intended to deflect or diffuse damaging forces. The phrase, a knight in shining armor evokes a strong image, yet armor can be many things. Surely, it can be more than a physical object. And ‘damaging forces’ entail more than swords or bullets. Armor, in a psychological sense, acts as a coping mechanism to protect from emotional pain.

While the word ‘armor’ is not part of my everyday vocabulary, the act of armoring is a frequent experience for most of us. It’s the way our unconscious distorts the body. It happens unconsciously. When do we, as people, armor ourselves? Armoring can take place when suppressing emotion, holding in truths, and inhibiting ourselves in various ways, to start. Armoring happens when our authentic self is not permissible or allowed.

Could long-term armoring lead to disease and illness? Some would say yes, as emotional experience has a relationship with physiology. As a result of armoring, we may encounter physical and physiological symptoms. Considering that what happens internally is expressed externally, in our posture, and musculature, we may become aware of a hunched back, tight jaw muscles, or an overall stiffness, for example. The impact of armoring can be invisible as well, such as when we do not allow a full exhale to happen. It’s good to know that releasing years of armoring is possible. These insights and ideas come from Wilhelm Reich and the field of somatic psychology. Somatic psychology gives great attention to the embodied self. Body-oriented therapies are shown to help greatly in this area.

Like body-oriented therapies, dreamwork also provides an opportunity to attend to one’s embodied self. In California, many licensed psychologists and psychotherapists are experienced dreamworkers, offering individual and group dreamwork sessions. There are various types of dreamwork – Gestalt dreamwork is one example. Through dreams, we can see ourselves in different ways. Dreams are said to reflect many things, such as unconscious processes, adaptation, attention needed in some aspect of the waking physical life, and much more. Dreams can be a source of guidance and even provide concrete information. Dreams can also reveal aspects of our authentic self. A dream may even prompt one to schedule an appointment with physician or a therapist. While dreamwork can take various forms, one way to begin (after recording the dream) is to focus on the imagery. Often there is a central image. Stay with the image and give it life in order to understand it at deeper levels. As an artist, I prefer to draw or paint my dreams. Others act out the dream in dream-like theater. With lucid dreaming, we can ask the dream to bring a healing figure to assist us, or to show us how to heal ourselves. These are just some of the possibilities.

Below, I’ll share a portion of one of my recent dreams and the evolving process that, for me, followed naturally. In the first part of my dream,

Damaging forces abound. An adolescent girl (who may represent one aspect of myself) is being protected by a small group of caring adults, both male and female. The adults work at the girl’s group home or residential treatment center. We are outdoors, in town somewhere, under the bright sun. In particular, one of the adult females (who I understand to be my primary self), is very concerned and protective of the girl. She gently places her arm around the girl, kissing her on the forehead with wet eyes, as the girl removes her body armor (in the form of a metal body suit, somewhat similar to chain mail).

In the dream state, I experienced this scenario with the body armor as the strong central image, leading me to pay attention to my own armoring, its potential health impact, and to begin to seek solutions. As part of my own dreamwork process, I felt compelled to img_1663recreate the metal body suit, which I did by knitting with some thin wire. Not easy! Later, I represented the image in a painting (shown here). This is just the beginning of re-establishing my relationship with armor – a concept I had set aside, for the most part, since graduate school.

There is no end to this story. Armor must first be known, even allied, before it can be shed. And in order to shed, one must create a safe environment (perhaps with a therapist) before the armor will even budge. If we allow it, we can see truth with our dream ‘eyes.’ Dreams have a way of making the unconscious, conscious. Dreamwork acknowledges that consciousness and the authentic self continue to develop. Evolving interpretations are at play.

May your dreams be your medicine,

Kim

*I’d like to thank Dr. Jennifer Tantia of New York for her consultation with this article. She can be reached at http://www.soma-psyche.com

hypnopompic inspiration

The science of sleep has continued to gain attention and over the past couple of decades the field of sleep medicine has experienced a boom. According to American Sleep Association, there are two forms of sleep related hallucinations: hypnogogic and hypnopompic. Some researchers, however, note that the term hallucination is unfitting because hallucinations only occur in the full waking state. Firstly, hypnogogia, is the term used to describe the state one experiences just before sleep. In this state, one may experience hallucinations and sleep paralysis. Secondly, hypnopompia, is the term used to describe the state one experiences upon waking. Sleep paralysis is common during this period, along with perceived complex visual imagery, and increased dream recall.

These sleep-related states can serve creative types well. My own experiences have resulted in decision making, speech writing, and artistic creativity. Others have discovered solutions to complex problems and have even composed musical pieces. When we pay attention and attend to the lived experience of these states, possibilities become endless.

Allow me to share a recent hypnopompic episode. As I was awakening one morning, I saw a strong and fairly clear image that puzzled me. There was a simple wooden wall or plank, with a bright red heart (like a paper valentine’s day-like cut-out heart) floating near the top-left side. To the right was a vertical column of silvery milagros or ex-voto. 649932E1-5FF1-4A6B-B0A3-2EA9E29E6F48Unfortunately, I could not hold on to the exact ones, but I’m certain that they were all body parts. There were at least four, but likely many more. I brought the image to my dream group and processed its many possible meanings. Still, the image stuck with me and I began to draw it, then paint it (I now have plans to construct it in the near future). Through the artistic process my relationship to the meaning behind the raw imagery developed. This style of dreamwork can evolve over a long period of time leading to greater insight and awareness of one’s soul journey. So much of this space remains private, but I am beginning to reveal more and more in time. This image, in its many forms will be on public display in two art exhibitions this spring and summer. I’m excited to share more of my inner work with others and discuss how sleep related states have created meaning in the lives of my community.

Shamans and practitioners of traditional ways do not necessarily label or compartmentalize the human experience the way the West does. No matter which labels (hallucinations, etc.) Western science applies, sleep related states have a long history of supporting spiritual growth and development in many areas (business, career, marriage, creativity). With a pen and paper by the bedside, and a set intention, so much can be unleashed.

 

Be well,

Kim

 

creativity and dreams

Has a dream ever inspired you in some way? Artists of all kinds, such as musical composers, poets, and fine artists, have used their dreams as sources of inspiration. From poetry and literature to painting and sculpture to music and dance, dreams can offer new ideas and make clever contributions. Many well-known writers — Clive Barker, Steven King, and Amy Tan — have credited their dreams for guidance and inspiration.

Recently, I decided to bring my dream images to life through creating fine art. After three vivid dreams featuring an anaconda, I knew I needed to take these experiences beyond my typical dream journal sketches. Since I am most comfortable using stretched canvas, I began there and allowed myself to explore imagery with oil pastels and other media. Not knowing where this would end up, I just kept playing with shape, movement and new materials. It turned out that I enjoyed the process and the final outcome, so much so, that I entered three pieces in a juried exhibition. Mascaro1To my surprise, two were accepted. A few months later, the two pieces you see here were displayed as part of a group art show in Southern California. Each participant was inspired by a dream or a series of dreams, which was reflected in their artwork.

I discovered that this entire process (first dreaming, journaling & sketching upon awakening, then talking about the dream, transforming it into a finished piece, and entering that piece in an art show) brought the dreams to life. The three anaconda dreams continued to unfold in the waking state each time I spoke about them, retold the dream sequences, or continued to develop the imagery. Engaging in the artistic process is one way to work with dreams. Mascaro2This may be the preferred way for those that consider themselves more visual than verbal.

Another way that creating art from a dream is beneficial is that it can bring new understanding and meaning to a dream from long ago, which may not have been understood at the time it initially took place. There is one particular dream I had two or three years ago that still leaves me confused. My plan for this summer is to paint that dream several times, making each version slightly different. My goal is simply to see what can be discovered through the process. Maybe it will help me consider a wider range of possible meanings or spark a flash of insight as to what the dream has to teach me. Once complete, or complete enough I should say, I will share it here with the ‘conscious chimera’ readers. Until then, happy dreaming!

~Kim

benefits to society

Beyond individual, personal gains, society, as a whole, has benefited from those who dream. Libraries are filled with publications highlighting inventions, discoveries, works of art, and more, which were influenced by dreams and visions. For example, German composer and theorist Richard Wagner (1813-1883) felt that his inspirations and music came from his dreams and intuition. Did you know that some major scientific and technical discoveries were the result of dreams? Here is a short list:

*Descartes’ philosophical and mathematical formulations

*Howe’s invention of the sewing machine

*Mazur’s mathematical proof of the Schoenflies Theorem

*Mendeleev’s contribution of the Periodic Table of Elements

*Huang’s computer using optical circuits

*Ramanujan’s mathematical discoveries that still influence polymer chemistry and computer science

*Profet’s evolutionary theory of menstruation

*Agassiz’s classification of a particular fossilized fish

A dream helped composer, violinist, and theorist, Giuseppe Tartini (1692-1770), come out of a creative block. His best-known piece of work (a sonata) came out of a dream. In addition, the works of fantasy and horror fiction writer Clive Barker have been influenced by his dreams. From dreaming, Barker discovers images, which develop into scenes, thus they become starting places for his stories. Stephen King credits his dreams for several of 11026167_728276287293024_7486356982712230690_nhis creative works. King uses his dreams in many ways – whether to advance a story he’s working on, bring to life an odd dream situation, or disguise things symbolically – he understands that weaving together writing and dreaming can lead to success. Writer Amy Tan also knows the power of dreams. Her first novel, The Joy Luck Club, was a best-seller, and some portions of it were inspired through dreams. When Tan becomes lost as to a story’s potential conclusion, she’ll take the story to bed with her to see if guidance surfaces while dreaming. Tan claims to easily recall her dreams and has experienced lucid dreaming. She understands that her dream-life supports her work as a novelist and that any time she needs material to work with, a dream will be there for her. For more stories about writers and their dreams, read Naomi Epel’s 1993 book titled Writer’s Dreaming.

As you can see, dreams may have effects on people, leading them to reconsider important decisions and even change the course of their lives, and ultimately the world. With this in mind, dreaming may be considered a gift to communities and nations alike. The same can be said for creative dreams that inspire art and propel other aspirations, such as athletics. For example, among professionals, dreams have been credited not only for completing key scenes in novels, entire musical pieces, and even athletic improvements among athletes. For more information about such nocturnal productivity, I suggest reading Deidre Barrett’s 2001 book titled The committee of sleep: How artists, scientists, and athletes use dreams for creative problem-solving. I never get tired of this exciting book!

Conscious Chimera’s August 2016 article discussed Announcing Dreams, as you may recall. Some announcing dreams have been credited for decision-making in the medical realm, from family planning decisions to prenatal genetic testing. Some pregnant women will tell you about how a powerful dream was the major factor leading to a decision about their fetus. No matter which time of transition or stage of life we find ourselves in, dreams can be a potent ally.

Unfortunately, such impactful dreams, once revealed, can lead to accusations of dishonesty or outright dismissal. One’s culture influences the origin of dreams and what one considers to be valid, or real. For those who actively engage dreams, the nightly assistance sometimes just keeps on coming, and can be a source of ongoing guidance. While the dreams of those listed in this article offered assistance and inspiration for good, next months Conscious Chimera article will address dreams that have been linked with destructive forces.

 

Spring wishes,

Kim